The second of our three-in-a-row gig run brought us closer to home – the iconic Ipswich Regent Theatre, a venue that’s always got a touch of faded grandeur and buckets of charm. Joined by Hammy and Neil, we started the night with a fairly underwhelming pre-show meal (overpriced pub grub that somehow managed to underdeliver) and a few cost-effective pints at one of Mr. Martin’s local establishments. A bonus for the night was bumping into a couple of old Cinram mates, which turned it into a nostalgic mini-reunion before the main event even began.

Support – Badly Drawn Boy

Opening the evening was Badly Drawn Boy. A supremely talented multi-instrumentalist and Mercury Prize winner, his set was a gentle, almost melancholic introduction to the night. There’s no denying his artistry – textured guitar work, emotive piano, and deeply personal lyrics – but the tone leaned a little too sombre for what would follow. One of our group quipped, “He makes Morrissey seem like a children’s party entertainer.” Not quite what you’d want as a warm-up act for Squeeze, but he held the room in a kind of moody stillness nonetheless.

Squeeze – Still the Sound of Joyful Clever-Pop

From the moment Squeeze stepped on stage, the energy lifted – and stayed there for the rest of the night. The Regent’s stage was lit up with a vibrant blend of neon lights, creating a kaleidoscopic backdrop for the seven-piece band. The setup was a treat for the eyes – with bongos, accordions, and synths scattered among the usual guitars and drums. Musically, it was tight, joyous, and above all, alive.

While Ipswich crowds are often more reserved than others, the spirit of the music was infectious. A few danced, more should have. But whether seated or standing, everyone was buzzing.

Glenn Tilbrook and Chris Difford, the Lennon-McCartney of witty British pop, reminded everyone why Squeeze are still revered after five decades. Their vocals, interplay, and unfailing knack for melodic hooks haven’t dulled one bit. With hits like Cool for Cats, Up the Junction, Tempted, and Labelled with Love mixed in with deeper cuts and a few modern surprises, the set was a masterclass in how to age gracefully as a pop act without becoming a museum piece.

The band was clearly having a blast – bouncing off each other musically and visually – and that vibe spread like wildfire across the audience. The musicianship was first class, the arrangements vibrant, and the humour still sharp. They’re a band who know exactly what they are, and absolutely revel in it.

Final Thoughts

Squeeze at the Regent wasn’t just a gig – it was a celebration. A 50-year legacy made fresh with style, flair, and a palpable joy for live performance. No gimmicks, no nostalgia overload – just a brilliant night of songs that have stood the test of time, delivered with flair and affection.

It’s not an exaggeration to say this was one of the standout gigs of 2024 so far.