Boys from the Blackstuff, written by Alan Bleasdale, stands out as one of the most exceptional British dramas ever created. The question arises: how successful would a stage adaptation of this iconic 80s depiction of harsh realities be? Let’s take a look.
The play explores themes that are still relevant today, embodying Left Wing ideologies and depicting a mix of humanity, frustration, despair, and vitality. Set in a city deeply impacted by the policies of the Thatcher era, Bleasdale’s portrayal of working-class Liverpudlians navigating a failing support system is incredibly authentic. After the show, we had a conversation with a couple who had also seen it. The man, who was a young adult living in Liverpool when the show first aired, experienced the play’s themes first-hand, feeling like he was watching a documentary rather than a work of fiction.
While the stage adaptation isn’t an exact copy of the TV series, writer James Graham’s additions to the story enrich its narrative and overall coherence. Barry Sloane’s portrayal of the iconic Yosser, abandoned by his wife and struggling to find steady employment, is exceptional. The balance between humour and menace in his performance is spot-on.
Nathan McMullen, as Chrissie, delivers a flawless and heart-rending depiction of a genuinely good man. The scenes of marital discord between him and his anguished wife Angie, portrayed by the remarkable Lauren O’Neill, are truly captivating and nearly brought me to tears.
I feel guilty for singling out a few actors when the entire cast was exceptional, including Philip Whitchurch as the patriarch George, who has visibly seen better days both physically and mentally. Mark Womack’s portrayal of Dixie was so convincing that you forget that he is acting.
Overall, it was a fantastic two and a half hours spent watching a group of actors at the peak of their abilities recounting a story that ought to be included in the national curriculum. It’s that significant. Don’t miss out on this, as it was a flawless 10/10 performance.